Australian symbols (nation and war time)
  • The Slouch Hat
  • The Rising Sun
  • "Digger"
  • The Australian Flag
  • The National Anthem
  • The Poppy
  • The Victoria Cross
  • "In Flanders Fields"
  • "Lest We Forget"
  • "For the Fallen"

  • The "poppy" 

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    Wraith of artificial poppies.

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    Cross made of poppies down of a soldier grave.

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    Ieper - Menin Gate.

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    Wild poppies on a road bank.

    For British and Commonwealth people, the poppy is the Remembrance flower since the 20s. It is worn during Armistice commemorations and wraiths laid down of graves or monuments are often made of artificial poppies. This symbol is the equivalent of the cornflower for the French but its use is more wide-spread and maybe more meaningful.

    During the Great War, poppies were among the first plants still growing and sprouting on the destroyed grounds. Soldiers used to tell that before the war they bloomed with white flowers but that having grown on a ground soaked with the blood of their fellows had made them become bright red. Several texts mention poppies and their strange presence on the battlefield. One of them, the famous poem "In Flanders Fields", is consider being at the origin of the use of the poppy as a Remembrance symbol. Miss Moira Michael, an American who worked then for the Young Men Christian Association (The YMCA, during the war this charity aimed at improving the every day life of soldiers), was upset by this poem and drafted another one as a reply: "The Victory Emblem". The emblem was naturally the poppy: its bloom reminds for ever that "the blood of the heroes never dies "...

    The first poppies were sold then worn in small number on November 9th, 1918 during a meeting of senior YMCA members at Miss Michael home. This precedent inspired the French representative, Mrs Guerin. She succeeded in contacting associations of the allied countries in order artificial poppies to be sold for the benefit of widows, orphans and veterans in need. The first "Poppy Day" and the first sales of poppies in Great Britain as well as in Australia took place on November 11th, 1921. Poppies were mostly bought from a French organization: profits served for helping the children of the destroyed regions and the fabrication was ensured by war widows.

    In 1921, war veterans' main Australian association imported a million tissue poppies made in French orphanages. Each poppy was sold a schilling and on this amount six pennies went to an association in charge of French children. Originally, the poppy was not officially associated to Anzac Day (the Australian Remembrance Day). That role occurred progressively. It would be bound to a practice begun on November 11th, 1993, when the Australian Unknown Soldier was buried in Canberra. Participants slide a poppy in the chink next to the name of a relative on the Hall of Memory walls where are registered the names of the war dead. A common way used to pay respect on the other monuments of the Commonwealth.

    Nowadays, in Great Britain as in Australia, poppies are still sold and worn in the buttonhole of poppies while the Armistice Day. Profits from sales are for charities.


    The poem "In Flanders Fields"
     
    In Flanders Fields the poppies blow 
    Between the crosses, row on row,
    That mark our place; and in the sky
    The larks, still bravely singing, fly
    Scarce heard amid the guns below.

    We are the dead. Short days ago
    We lived, felt dawn, saw sunset glow,
    Loved and were loved, and now we lie
    In Flanders fields. 

    Take up our quarrel with the foe;
    To you from failing hands we throw
    The torch; be yours to hold it high.
    If ye break faith with us who die
    We shall not sleep, though poppies grow
    In Flanders fields.

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    Remains of the bunker where John McCrae
    wrote his poem, near Ieper.

    The author, Lieutenant-Colonel John McCrae served as doctor in a front rescue post during the second battle of Ieper in 1915. Taking advantage of a calm moment, he wrote this poem with a pencil on a sheet of pad. Afterward, he sent it anonymously to the English magazine "Punch" which published it on December 8th, 1915 under the title "In Flanders ' Fields". This poem had from this moment an enormous success. John McCrae died in France of pneumonia in a military hospital in May 1918. Just before dying, he revealed to be the author of the famous poem. This one is very often recited during Remembrance ceremonies.


    The Victoria Cross


    (courtesy of Bill Simpson - Belgian medals website)

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    That English sergeant received the Victoria Cross posthumously,  it can be seen on his grave (Longueval - Somme).

    The Victoria Cross is the most prestigious British decoration. It was created in February 1856 and named after Queen Victoria. That medal was awarded from this date and retroactively to 1854. Indeed, its institution is connected to the war of Crimea against Russia. Previously, there were no really awards which can be awarded with justice. The Victoria Cross is since awarded for an act of bravery, courage or considerable self-abnegation, or still extreme devotion facing the enemy. It is awarded without distinction of rank. After 1874, all the soldiers of the British Empire could receive this distinction. To date, 1 354 Victoria Cross have been awarded. The last two ones during the Falklands war in 1982. For important acts of bravery a bar can be add to the initial medal.

    Until 1918, the ribbon was dark blue for the navy and carmine red for the army. Then this last colour was adopted for all the armies. The medal would be made of the metal of guns taken to the Russians during the war of Crimea. The Cross was designed by H.H. Armstead who worked for London jewellers today still in charge of its production. On the reverse, the date of the act of gallantry, the rank, the name and the regiment are engraved. For their behaviour at the battle of Hamel, the Australian soldiers Henry Dalziel ( 15th battalion) and Thomas L. Axford ( 16th battalion) received the Victoria Cross.

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    External link / Source : Victoria Cross Reference

    "Lest We Forget" or "Recessional"
    GOD of our fathers, known of old,
         Lord of our far-flung battle line,
    Beneath whose awful hand we hold
         Dominion over palm and pine—
    Lord God of Hosts, be with us yet,
    Lest we forget—lest we forget!

    The tumult and the shouting dies;
         The Captains and the Kings depart;
    Still stands Thine ancient sacrifice,
         An humble and a contrite heart.
    Lord God of Hosts, be with us yet,
    Lest we forget—lest we forget!

    Far-called our navies melt away;
         On dune and headland sinks the fire;
    Lo, all our pomp of yesterday
         Is one with Nineveh and Tyre!
    Judge of the Nations, spare us yet,
    Lest we forget—lest we forget!


    If, drunk with sight of power, we loose
         Wild tongues that have not Thee in awe,
    Such boastings as the Gentiles use,
         Or lesser breeds without the Law—
    Lord God of Hosts, be with us yet,
    Lest we forget—lest we forget!

    For heathen heart that puts her trust
         In reeking tube and iron shard—
    All valiant dust that builds on dust,
         And guarding calls not Thee to guard.
    For frantic boast and foolish word,
    Thy Mercy on Thy People, Lord! 

    "Lest We Forget" is originally a victorian ode known under the title "Recessional". Its author is the famous Rudyard Kipling (1865-1936). He wrote that ode in 1897 in honor of Queen Victoria's Diamond Jubilee. It contains a strong warning to the British not to exploit other races. It was maybe inspired by a battle led in India by the British imperial troops near Kargill in India. With the Great war, it was re-used because Kipling really meant something much deeper. It is interesting to note that the writer lost his only son on the Somme in 1916. Kipling also had a great role in the design of post-war military cemetaries.

    The Ode "For the Fallen"
    With proud thanksgiving, a mother for her children,
    England mourns for her dead across the sea.
    Flesh of her flesh they were, spirit of her spirit,
    Fallen in the cause of the free.

    Solemn the drums thrill: Death august and royal
    Sings sorrow up into immortal spheres.
    There is a music in the midst of desolation
    And a glory that shines upon our tears.

    They went with songs to the battle, they were young,
    Straight of limb, true of eye, steady and aglow.
    They were staunch to the end against odds uncountered:
    They fell with their faces to the foe.

    They shall grow not old, as we that are left grow old:
    Age shall not weary them, nor the years contemn.
    At the going down of the sun and in the morning
    We will remember them.

    They mingle not with their laughing comrades again;
    They sit no more at familiar tables at home;
    They have no lot in our labour of the day-time;
    They sleep beyond England's foam.

    But where our desires are and our hopes profound,
    Felt as a well-spring that is hidden from sight,
    To the innermost heart of their own land they are known
    As the stars are known to the Night;

    As the stars that shall be bright when we are dust,
    Moving in marches upon the heavenly plain;
    As the stars are starry in the time of our darkness,
    To the end, to the end they remain.

    Its author, Laurence Binyon (1869-1943), was a well-known poet at the turn of the XXth century. On 21st September 1914, the Times published his poem "For The Fallen." Binyon wrote the poem while working at the British Museum. He did not go out to the front until 1916 and served as a Red Cross Orderly. His poem, often shortly titled "The Ode" is now part of the British and ANZAC traditions. At ceremonies, the fourth verse is mostly recited as a pray.

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